Martin McDonagh’ın Leenane’nin Güzellik Kraliçesi Eserinde Grotesk Atrideler
نویسندگان
چکیده
The first staging of Martin McDonagh’s play Beauty Queen Leenane received extreme praise and box-office success, but this accomplishment was overshadowed by some contradictory comments regarding the playwright’s attitude towards Irish identity culture. This study aims to argue that Irish-born dramatist engages with grotesque conventions while depicting image native land, culture, societal norms. In order achieve this, our reveals ways in which interacts myth Atrides, Wolfgang Kayser’s notion grotesque, Mikhail Bakhtin’s concepts carnivalesque as well Julia Kristeva’s state abject, are used playwright expose anxieties related issues identity, motherhood, emigration, rootedness. Eventually, collision between mythical matrix depictions, McDonagh raises spectators’ awareness necessity individual reforms.
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ژورنال
عنوان ژورنال: Humanitas uluslararas? sosyal bilimler dergisi/humanitas international journal of social sciences
سال: 2022
ISSN: ['2147-088X']
DOI: https://doi.org/10.20304/humanitas.1140454