La Historia del Arte Argentino a la luz de los Estudios Decoloniales.

At the end of last century, colonial, postcolonial and decolonial studies set in motion a “detachment” from dominant modes knowledge acquisition social sciences humanities. In 1990s, Latin American intellectuals debated colonial side modernity cultural, theoretical practical hegemony that central countries maintained. field art, this resulted problematization Eurocentric canons present artistic system lack independent visual thinking. light these problems, article investigates one features coloniality force Histories Visual Arts “with capital letters” America particularly Argentina; is, neutralization diversity construction national art. To end, we have used transdisciplinary qualitative methodology, which articulates different areas (history, anthropology, philosophy, sociology, art history) interpretive perspective. analysis historiographical reflection, decentration is observed history promoted by Institute Aesthetic Research (Faculty Arts, National University Tucumán), interrupts disciplinary canon favoring emergence American, both folkloric ancestral.