Intertextual Connections in Nikolai Shchegolev’s Lyrical Poetry: Pasternak, Mayakovski, Futurists

This article analyses the poetics of Nikolai Shchegolev’s works from point view influence futuristic and avant-garde tradition on artistic world his works. The research aims to identify semantic (themes motifs) asemantic aspects (such as rhythmic structure construction peculiarities stanzas rhymes) poems. These resonate with such phenomena in poems that were associated émigré circles revolution Soviet Russia’s art. There is a tendency scholarly literature consider poets writers “Eastern branch” emigration part development nineteenth-century classical continuation traditions symbolism Acmeism. approach often special position Harbin, Russian city China, which has become kind symbol past, life there was based model pre-revolutionary Russia. Nevertheless, some scholars (A. A. Zabiyako, G. V. Efendiyeva, E. O. Kirillova, Yu. Kulikova) note reflection Harbin poets’ experience. works, including these aspects, remain insufficiently explored. In this work, referring historical literary structural semiotic approaches principles intertextual poetic analysis, author turns study themes, motifs, images, well rhythm strophic structures poetry Shchegolev, makes it possible deepen summarise ideas about When considering individual texts, concludes themes motifs urban images cinematograph mannequin coming back life, theme oscillation between living dead), experiments rhythm, division, word coinage accepted understood by Shchegolev through Vladimir Mayakovski, Boris Pasternak, futurists.