Intermedial Products for Digital Natives: British Theatre-Cinema on Italian Screens

Radio On and British Art Cinema

Quality vs. Variety: Trading Larger Screens for More Shows in the Era of Digital Cinema

Movie exhibitors currently face two forces vying for the limited footprint of their properties. Recent advances have enabled exhibitors to satisfy consumers’ long-standing desire for increasingly larger screens. On the other hand, digital technology has reduced the cost of playing the same movie on multiple screens, thereby creating an incentive for screen proliferation to increase the number o...

On Location: Landscape Cinema and Digital Memory

This paper critically reflects on the registers and affects of memory in relation to place, cinematic space, and the materiality of digital film-making technologies, using our recent moving image artwork, On Location (2017), as a case study: this practice-as-research film captures the location over a twelve month period in an unnamed sunken lane at a remote area of rural mid-Devon. On Location ...

The Social Stratification of Theatre, Dance and Cinema Attendance

In current sociological literature the relationship between social inequality and patterns of cultural taste and consumption is the subject of a large and complex debate. In this paper the primary aim is to examine, in the light of empirical results from a research project in which the authors are presently engaged, three main, and rival, positions that have been taken up in this debate, here l...

Exhibition QIM-based watermarking for digital cinema

The copyright protection of Digital Cinema requires the insertion of forensic watermarks during exhibition playback. This paper presents a low-complexity exhibition watermarking method based on quantization index modulation (QIM) and embedded in the DCI compliant decoder. Watermark embedding is proposed to fit in the JPEG2000 decoding process, prior to the inverse wavelet transform and such as ...