Imágenes paceñas: El mago de la ciudad paceña moderna

In this essay we disentangle what Jaime Saenz conceives of as the “magic” La Paz elaborated in Imágenes paceñas. We analyze magic from three complementary angles. First, focus on relationship between and unease. This take is associated text, an unexplicit tangential way, with non-Western culture; that is, Aymara indigenous. Our second point entry intersects first. The version depicts moved by unfamiliar cultural forces. As a consequence, it product of, produces, distinct form inhabiting characterized temporality troubles modernity; this, too, results sense magic. Finally, our third approach to magic, tensions derived visual written registers combines text. montage forged text photography, writing employed maintain somewhat hidden, for reason alive, magical aspects city. And so, author part magician: he reveals something only distract, all name protecting very conditions enable his art.