Hélène Cixous’s Creaturely Poethics

Drawing on Jacques Derrida’s and Sarah Kofman’s conception of writing, Anat Pick’s notion the ‘creaturely’ Kári Driscoll’s ‘zoopoetics’, this article discusses relationship between textuality animality in Hélène Cixous’s work. writing has been described as inscribing body text, which may be considered an ethical engagement; her embodied poetics can thus called a creaturely poethics. The analysis focuses mostly latest texts: Les Sans Arche d’Adel Abdessemed (2018), Animal amour (2021) – deal openly with animals recent fictions Shoah, 1938, nuits (2019) Ruines bien rangées (2020). In them, not only traverses human non-human animals, but also beings inanimate, such Osnabrück’s synagogue. Particularly, gives voice and, above all, ‘cry’ to all reduced silence, therefore death, by Nazis.