منابع مشابه
Polychromy in Greek Sculpture
This strong prejudice was of course natural. Ever since the Renaissance, artists had produced white marble sculpture, in imitation, oddly enough, of the Greek and Roman examples known to them, which in the course of time had lost their coloring. It was not easy to give up a belief that had been held for generations and one that had, moreover, started a new practice; for previous to the Renaissa...
متن کاملThe Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit)
The art of Greek sculpture is the most complete and appropriate visual form of expression of the divine in the Greek art religion and similar types in the earlier and later religions. In Greek sculpture, form and content are in balance and interact with each other. The Spirit and the material have no dominion over one another. The spirit (divine) recognizes as its proper home the human body, an...
متن کاملTorah and Mishpat: The Law and its Liberation Spirit
This essay has two primary objectives. First, acknowledging the fact that the philosopher’s fundamental responsibility, due to the conditions of social order in many regions and nations around the world, requires not merely thought but also actions that transform this world into a more equitable and inclusive one, the author proposes to show the reader a simple way (among many other possibiliti...
متن کاملVirtual anastylosis of Greek sculpture as museum policy for public outreach and cognitive accessibility
This paper deals with a virtual anastylosis of a Greek Archaic statue from ancient Sicily and the development of a public outreach protocol for those with visual impairment or cognitive disabilities through the application of three-dimensional (3-D) printing and haptic technology. The case study consists of the marble head from Leontinoi in southeastern Sicily, acquired in the 18th century and ...
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ژورنال
عنوان ژورنال: The Classical Weekly
سال: 1908
ISSN: 1940-641X
DOI: 10.2307/4385792