E-Literature, New Media Art, and E-Literary Criticism

E-Literature, New Media Art, and E-Literary Criticism

In his article "E-Literature, New Media Art, and E-Literary Criticism" Janez Strehovec explores the commonalities between electronic literature and new media art. Rather than deploying the traditional conceptual apparatus of e-literary criticism directed first and foremost to the new media elements of e-literature, Strehovec takes into account approaches from current theories in the social scie...

E-Literary Text and New Media Paratexts

This chapter aims to explore the role of the hybrid reader-viewer-listener as the user of electronic literary projects that demand more complex interactions, including sophisticated ways to navigate. Rather than taking into account just the reader’s role in decoding meaning and linguistic comprehension, the new-media-shaped literary text stimulates even more sophisticated reader response, addre...

Literary Aspects in New Media Art Works

In her article "Literary Aspects in New Media Art Works" examples of new media literature in the works of While Železnikar is primarily a net interventions, the literary segments in uses them to initiate a happening. works which require a readerly perception flavor of such works which can later offer works of art. > ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb Purdue University Press , the...

Literary Criticism

Most of the literary theorists and critics of classical antiquity who are still studied today – Plato, Aristotle, ‘Longinus’, and a few others – are Greeks. The Romans, who by reputation came late to literature and lacked a theoretical cast of mind, are not generally accorded a prominent place in the development of this discourse. Indeed, few surviving Roman texts address as their main topic th...

Economic Insights From and About Literature, Drama, and Literary Criticism