Boy with Machine

نویسندگان

چکیده

In this paper, I provide an analysis of the anime series Neon Genesis Evangelion and feature film The End through theory French philosophers Gilles Deleuze Félix Guattari as outlined in their seminal work Capitalism Schizophrenia. tackle authors’ concepts Oedipus absolute deterritorialization order to a philosophical consideration series’ central plot points developments. My aim is employ Charles J. Stivale’s concept academic “animation” critique Evangelion’s emphasis on nuclear family structure its influence subject-formation, well demonstrate that Deleuzoguattarian framework uniquely suited for task. conclude Evangelion, experimental use animation medium, produces compelling depiction form Human Instrumentality Project. However, ultimately remains loyal prioritisation (rooted psychoanalysis complex) unit, with protagonist Ikari Shinji rejecting preferring, instead, live unified subject defined by familial relations.

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ژورنال

عنوان ژورنال: Journal of anime and manga studies

سال: 2021

ISSN: ['2689-2596']

DOI: https://doi.org/10.21900/j.jams.v2.822