AUDITORY STEADY-STATE RESPONSE TO SINUSOIDALLY AMPLITUDE-MODULATED TONES FIRST REPORT

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A high-precision magnetoencephalographic study of human auditory steady-state responses to amplitude-modulated tones.

The cerebral magnetic field of the auditory steady-state response (SSR) to sinusoidal amplitude-modulated (SAM) tones was recorded in healthy humans. The waveforms of underlying cortical source activity were calculated at multiples of the modulation frequency using the method of source space projection, which improved the signal-to-noise ratio (SNR) by a factor of 2 to 4. Since the complex ampl...

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Auditory temporal processing: responses to sinusoidally amplitude-modulated tones in the inferior colliculus.

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Auditory Temporal Processing: Responses to Sinusoidally Amplitude-Modulated Tones in the Inferior Colliculus

Krishna, B. Suresh and Malcolm N. Semple. Auditory temporal processing: responses to sinusoidally amplitude-modulated tones in the inferior colliculus. J Neurophysiol 84: 255–273, 2000. Timevarying envelopes are a common feature of acoustic communication signals like human speech and induce a variety of percepts in human listeners. We studied the responses of 109 single neurons in the inferior ...

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Stream Segregation in the Perception of Sinusoidally Amplitude-Modulated Tones

Amplitude modulation can serve as a cue for segregating streams of sounds from different sources. Here we evaluate stream segregation in humans using ABA- sequences of sinusoidally amplitude modulated (SAM) tones. A and B represent SAM tones with the same carrier frequency (1000, 4000 Hz) and modulation depth (30, 100%). The modulation frequency of the A signals (f(modA)) was 30, 100 or 300 Hz,...

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Human Neuromagnetic Steady-State Responses to Amplitude-Modulated Tones, Speech, and Music

OBJECTIVES Auditory steady-state responses that can be elicited by various periodic sounds inform about subcortical and early cortical auditory processing. Steady-state responses to amplitude-modulated pure tones have been used to scrutinize binaural interaction by frequency-tagging the two ears' inputs at different frequencies. Unlike pure tones, speech and music are physically very complex, a...

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ژورنال

عنوان ژورنال: Nippon Jibiinkoka Gakkai Kaiho

سال: 1993

ISSN: 0030-6622,1883-0854

DOI: 10.3950/jibiinkoka.96.1279