منابع مشابه
the tragedy of modern man in arthur millers world
what miller wants is a theatre of heightened consciousness. he speaks of two passions in a man, the passion to "feel" and the passion "know". he belives that we can have more of the latter. he says: drama is akin to the other inventions of man in that it ought to help us know more and not merely to spend our feelings. the writing of the crucible shows us that he is trying to give more heightene...
15 صفحه اولthe use of mowlaviâs ney (the flute) by modern arab poets âthe flute does not warble but when it is empty.â
â â this article deals with the systematic significance of ney (the flute) , which is rooted in persian literary heritage and was manifested in the work of jaläl-ad-dä«n-e rå«mä«, also known as mowlavi. it then elaborates on its influence on modern arab poetry. to achieve this, the article first takes a glimpse at the famous poem by mowlavi, known as â the fluteâ and outlines its symbolic...
متن کاملBanishing the Poets
The main argument of this monograph,* if I understand it rightly (something its rather cloudy writing makes me uncertain of), is that the body of works often (and traditionally) grouped together under the rubric ‘ancient literary criticism’ should be understood not as contributions to aesthetics or criticism of literature as these terms are commonly understood today but rather as political inte...
متن کاملmodernist poetics as reflected in the poetry of selected modernist poets
فن شعر (poetics) که پیش از این به معنای مطالعه ی شعر و شیوه های آن بود در قرن بیستم در مفهوم گسترده به نظریه ی ادبی و مشخصه هایی که سبب پیدایش ادبیات است، اطلاق می شود. نوگرایی (modernism) بیش از آنکه از نقطه نظر زمانی دارای اهمیت باشد، گویای زمینه های فکری و اجتماعی است که تحولاتی بنیادین را در هنر و ادبیات رقم زد. تی. اس. الیوت، تی. ئی. هولم و ازرا پاوند از مهمترین نظریه پردازان نوگرایی هستند...
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ژورنال
عنوان ژورنال: Al-Raida Journal
سال: 1970
ISSN: 0259-9953
DOI: 10.32380/alrj.v0i0.1191