Apology Strategies in Harry Potter Movie Series

Harry Potter and the Susceptible Child Audience

Kara Lynn Andersen, in her paper "Harry Potter and the Susceptible Child Audience," argues for a rethinking of assumptions of child audiences as passive readers and viewers through an analysis of the Harry Potter phenomenon. Andersen argues that instead of categorizing children as passive and homogenous subjects of analysis, they should instead be incorporated as participants in the discourse a...

Brand New Critical Essays on Harry Potter

enjoy more popularity than Robinson itself. For example, the story of Genoveve exploits the Robinsonian theme in that its heroine leads a solitary life in the wilderness, physically isolated from other people. Genoveve was staged in Croatia as early as 1732, while Campe’s Robinson was first published in Croatian in 1796. For another century, Genoveve, translated into Croatian from the German ve...

‘The Boy who Lived’ in the Cupboard: ‘Queer Readings’ and Rowling’s Harry Potter Series

The paper argues that the articulation of non-normative identities, desires and meanings are possible even within literary representations that are also forms of deliberations to conform to (hetro)normalcy. A queer reading of the popular Harry Potter series created by J. K. Rowling is attempted to identify the understated proclivities of subversion in texts that have a non-esoteric readership. ...

Man vs beast the human-animal boundary in J.K. Rowling's Harry Potter series

In Pursuit of the Hero: Mythological Heroic Structures in J.K Rowling’s Harry Potter Series

Criticism of J.K. Rowling’s Harry Potter series has maintained that its popularity stems from a well-marketed, repetitive and simple structure. However, this essay considers that this success derives from recognizable mythological heroic structures. The essay traces the protagonist’s development from the perspective of two different theories that contrast and complement each other in various wa...