Anglia - Zeitschrift für englische Philologie

نویسندگان

چکیده

Tennessee Williams famously called The Glass Menagerie a ‘memory play’. This remark has been consistently overlooked or misinterpreted by critics, unleashing tradition of approaching the play in rather confusing fashion concerning who characters are and how playwright uses them. paper engages with character Amanda. First all, I will trace major transformations conception throughout twentieth-century drama, providing background for Williams’s attempt to redefine aspects playwright’s craft such as what ‘character’ is. Secondly, survey critical surrounding Tom Wingfield’s mother consider views character. Recurrent them, my analysis indicates, is failure acknowledge her tool work’ carries out. subsequently posited fluid entity that helps (and Williams) make sense past explore their families shaped they were. As opposed realistic play, where so much given at start, play’, seems have conceived it, remains cry reader join common search meaning, one utilizes, than just displays, order reach standpoints far from fixed immutable.

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ژورنال

عنوان ژورنال: Anglia

سال: 2021

ISSN: ['0340-5222', '1865-8938']

DOI: https://doi.org/10.1515/angl