Alevi-Bektaşi Nevruz Kutlamalarında Melopoetik Hususlar

On March 21, the day when night and are equal according to position of earth in face sun, new year spring celebrations were being celebrated northern hemisphere. In ancient times, 21 had been with festivals organized name gods abundance plenitude who died revived as Akitu Babel Prulliyas Anatolia, around conflicts darkness-brightness, summer-winter, birth-death, scarcity-abundance mythology. this geographical cultural environment extending from Ancient Egypt Mesopotamia, Anatolia Iran, India China Rome afterwards, commemorated concepts such asresurrection, rising, equality, peace, salvation freedom. It is also Turkey. Nowruz, which performed based on birth Hazrat Ali, welcoming spring, especially a ritual Ayin-i Cem community Alevi Bektashi, led creativity fields art culture. Nawruz, many other culture literature, theatre, music, dance, miniature, painting, gravure, sculpture, sport, philosophy, food, faith thad subject works poets Ömer Hayyam, Nizami Gencevi, Mela-i Ciziri, Nesimi, Pir Sultan, Ahmed-i Xani et al. 13-14th century’s divan folk literature. The Nawruz reflected literature music Nevruziye Poems. We analysed literary musical styles these poems presented them table. As we have seen, mainly Maqam determined by Safiüddin Urmia, history. These tunes Dügâh (La) pitch today’s Hüseyni Aşiran Şur maqam. history same maqam words, Koşma form they musically. Keywords: Music, Ritual, Poetry, Nevruziye.