A Deleuzean Look on Tony Gatlif’s Accented Cinema

This study aims to discuss Tony Gatlif's "accented cinema", which deals with the lives of minorities and nomads reflexivity brought by these in many his films, terms philosophical expansions. The original style director build using cinema’s means about being a Gypsy or from an ethnic minority, while opening majorities questioning, it transforms film watching experience specific intellectual adventure. In approach, includes elements that coincide Hamid Naficy's definition nomadism emerges as minor element and, nomadic communities, inside all inhabitants world, display existence. Gatlif’s is similar Kafka masterfully presenting words community, examined focusing on, Latcho Drom (1992), Gadjo Dilo (1997), Exils (2004), Transylvania (2006) Korkoro (2009) films. Questions like revealing reflexivities director’s accented images what mean on account difference cinema debates, form analyses’ basic questioning fields obtained findings are discussed taking reference Gilles Deleuze Felix Guattari’s concepts who see perception thinking activity. this context, ontology approach background be made Gatlif cinema.