duringthe past two decades, thedetective genrehas experiencedan unprecedented boomin latinamerica. many ofthe writers writing in this regard have highlightedtheroleof women indetectiveframes.thispaper examinesa series ofdetective novelstoexaminebroadlytheevolutionofthe female figure incontemporarydetectivenovelsofargentina, chileandmexico. here,we show howthewomandetectivestartsimitatingandparo...

S'Ve PictS Neuter tells her story in simple yet arresting language, giving a very comprehensive des UI~k man ̂ euter> who was her teacher, her colleague, and finally her husband. Po\ver Qp ? .^'m as an extraordinarily dynamic person, with an unshakable belief in the Hany 0r sP'r'1 over matter. His enthusiasm attracted large numbers of people to him, ^ey?te th ? ^ were prepared to withstand the t...

This paper investigates how professional workers’ willingness to act with interpersonal sensitivity is influenced by the gender and power of their interaction partners. We call into question the idea that mixed-gender interactions involve more interpersonal sensitivity than all-male interactions primarily because women demonstrate more interpersonal sensitivity than do men. Rather, we argue tha...

It is appropriate that this lecture is being given in Cambridge because Marjory Stephenson spent most of her life here and indeed was born only ten miles away in Bunvell. However, she taught for a while in London at Unix ersity College and King’s College of Household Science. Her connection with the latter College is of particular interest to me because King’s College of Household Science event...

This paper argues that Suite: Indian, a 2005 film by Shelley Niro (Mohawk), critiques Euroamerican art that exploits non-specific “Indian” materials to represent allegedly “universal” themes. In particular, this essay will explore how Niro’s film critiques Edward MacDowell’s 1896 Second Suite, frequently called the Indian Suite, an orchestral piece that MacDowell claims is based upon Native mus...