نتایج جستجو برای: sassanid king (486

تعداد نتایج: 19822  

Journal: :پژوهش های ایران شناسی 0
عباس زارعی مهرورز استادیار گروه علوم اجتماعی دانشگاه بوعلی سینا نورالدین نعمتی استادیار گروه تاریخ دانشگاه تهران

at early period of ghobad’s reign, sassanid king (486-531ad), an important movement occurred, headed by mazdak, for several social, economic and political reasons so that the king supported it in order to weaken the position of great figures and clergymen as well. naturally, important people opposed the given movement and dethroned ghobad king from power and he managed to resume his reign again...

Journal: :مطالعات باستان شناسی 0
سامان سورتیجی عضو هیأت علمی پژوهشکده باستان¬شناسی سازمان میراث فرهنگی، صنایع دستی و گردشگری کشور

in the course of selecting a route that lacks any archaeological artefacts and in order to construct an appropriate access path to kangelo fort in savadkouh at mazandaran province, an activity was done in the form of sounding operation by considering as a test (trial) and it led to discovery of a rare grave with burial structure formed by embryonic method plus the related objects relating to th...

ژورنال: پژوهش هنر 2017

A common motif in Sassanid art is the king on horseback often accompanied with royal symbols and glory. On the remained images of the Sassanid kings’ horses, a pair of conical form, in some cases circular (tassel) is hanging on the back of the horse. These tassels are attached by a chain to the horse-cloth or crupper of the horse. Many believe that the tassels were used to decorate the Sassanid...

Journal: :مطالعات باستان شناسی 0
میرزا محمد حسنی استادیار دانشگاه آزاد اسلامی، واحد شاهرود

with the eight sassanians reliefs, naghsh-e rustam in marvdasht is a prominent complex safeguarding a complete collection of the sassanian period. seven of these reliefs have been repeatedly the subject of investigations thanks to their relatively better conditions. the fifth relief, however, has not yet been studied due to their damaged status. it depicts the full-face portrait of a sassanid k...

Journal: :جستارهای ادبی 0

in a structural analysis, the “rebellion & decline” theme creates a narrative structure in which eleven stories of shāhnāmeh – equal to 3.18 per cent of the whole epic – are included, which makes it the tenth largest sequence of the shāhnāmeh. this narrative structure (sequence) consists of initial tranquillity, the king’s rebellion, his decline, and ultimate tranquillity. the epical theme of r...

Journal: :پژوهش های علوم تاریخی 0
علی اصغر میرزایی استادیار گروه تاریخ دانشگاه اراک

the sassanid rulers’ endeavor to establish an empire led to a substantial change in the previous ruling system and to the foundation of a new order. the founders of the empire enjoyed the legacy of parthian and other preceding rules. they were fully acquainted with the concept of sh?hansh?hi (‘king of kings’) which aroused in parthian and other preceding rules on the one hand, and with zoroastr...

Sassanid stone reliefs that were carved on the mountains are the main part of the artistic heritage of this ancient era, but the art of stone reliefs have worn by the rise of Islam and its spread through the country, then Qajar dynasty, especially Fath Ali Shah, has revived this art after 1200 years. There are some stone reliefs remained from Qajar era, that have significant similarities with S...

Journal: :پژوهش های ایران شناسی 0
بهرام آجورلو استادیار دانشگاه هنر اسلامی تبریز ضحی اصغر زاده چرندابی عضو هیئت علمی دانشگاه فنی و حرفه ای آموزشکدۀ فنی و حرفه ای الزهرا (س) تبریز

some of the iranian artworks during the 10th-14th centuries have been illustrated by narrative scenes showing a cavalier archer king in the hunting ground of gazelles; while a tiny lyre playing girl sat back him. according to shāhnāma-i-fērdowsī and haft peykar-i- nizami ganjavi, such scenes narrate the story of sassanid king bahram-i- gūr and āzāda, his lyre player servant girl. it should be n...

Journal: :پژوهشنامه نقد ادبی و بلاغت 0
سهیلا صارمی دانشیار پژوهشگاه علوم انسانی اکرم نوری کارشناسی ارشد ایران¬شناسی دانشگاه شهید بهشتی، تهران

futuwwa is an arabic word meaning ‘javanmard’ in persian and ‘fata’ is literally a young man. from its meaning we envisage him as a person who has reached to the apogee of him life or the perfection in his life. according to the available evidences and in comparison to mihr creed, it is considered that chivalry was prevalent in the pre- islamic iran. drinking a cup of saltwater is similar to mi...

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