نتایج جستجو برای: national motif’s
تعداد نتایج: 421437 فیلتر نتایج به سال:
iran is a large country with a vast variety of tribes and ethnic groups. these various tribes are unified with a national language and culture while using their own local languages and enriching ethnic art forms. among iranian ethnic groups, the turkmen are remarkable for their art of carpet weaving which has a unique structure compared to other designs and textures. the charming motifs on turk...
The Chaleshtar castle in Chahar Mahal and Bakhtiari is decorated with varied and unique stone herbal, human and animal ornaments. In the decoration of this Qajar building, the traces of the three national, religious, and foreign patterns of the Qajar period are observed, especially in human designs. Resemblance of human ornaments in this building with aforementioned patterns influenced by nativ...
studying persian heroic epic verses affected by narrative tradition and shahname is one of the areas that can be analyzed from different perspectives. samname which is considered as the last national epic in persian literature and apparently is written in late 7th century and early 8th century – if we accept to be written by khajooye kermani- is among these works which is similar to shahname f...
Gonabad pottery is one of the types of pottery in the country that shows the cultural authenticity and civilization of Khorasan. However, the name of this pottery and the motifs used on it are in danger of being destroyed due to the problems related to the potters and neglecting the place of this valuable art. Therefore, the current research intends to study the role of the original ingredients...
It is not an exaggeration to say that Iran’s cultural, artistic and even national identity is to some extent related and tied with carpet. The history of carpet weaving is an honorable and glorious one. And today’s artists in this field would not be successful without relying on this rich and fruitful past and using their own creativity. Therefore, the scholars of this field have to...
saqqā-ḵāna artists looked to cults, rituals, and visual elements of folk and local vernacular culture for inspiration. although many of these items appeared crude in their execution and lacked the artistic polish of artifacts made by professional calligraphers and painters, and were often created collaboratively as a kind of street art, their true significance was not lost to these artists. vie...
Currently, there are a number of motif detection tools available that possess unique functionality. These tools often report different motifs, and therefore use of multiple tools is generally advised since common motifs reported by multiple tools are more likely to be biologically significant. However, results produced by these different tools need to be compared and existing similarity detecti...
Noncanonical RNA motifs help define the vast complexity of RNA structure and function, and in many cases, these loops and junctions are on the order of only ten nucleotides in size. Unfortunately, despite their small size, there is no reliable method to determine the ensemble of lowest energy structures of junctions and loops at atomic accuracy. This chapter outlines straightforward protocols u...
Viroids are noncoding RNAs that infect plants. In order to establish systemic infection, these RNAs must traffic from an initially infected host cell into neighboring cells and ultimately throughout a whole plant. Recent studies have identified structural motifs in a viroid that are required for trafficking, enabling further studies on the mechanisms of their function. Some cellular proteins in...
Flower pot is one of the frequently used motifs in Qajar period. This decoration is abundantly found in carvings and tiling decoration of the mosque-schools in Qajar period. There is also the flower pot in previous eras schools such as Safavid period schools , but the flower pots used in Safavid period schools differ from the flower pots used in the Qajar period mosque- schools. However, this s...
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