in this article, regarding threefold nature of iranian culture (iranian, islamic, western) and using descriptive- analytic method, it is investigated about ideas of  shariati, soroush amd rajai on iranian culture to use in fusional approach. shariati emphasized on recognizing awareness of islam with passion and action, the efficiency conscious from west instead of blind imitation, knowing tradi...

in his seminal book on the historical periods of western attitudes toward death, philippe aries describes four consecutive periods through which these attitudes evolved and transformed. according to him, the historical attitudes of western cultures have passed through four major parts described above: “tamed death,” one’s own death,” “thy death,” and “forbidden death.” this paper, after explori...

the foundation of most intellectual discourse is western-centric to the exclusion of other views. this includes ideal patterns of social interaction, preference for aesthetic, accepted norms and values, and the concepts of dignity, respectability, morality and ethics. such a position is culturally myopic. western cultural influence colors all of them including moral precepts. the assumption is ...

this paper examines edward said’s views on music and its connection with key concepts such as orientalism and worldliness in his writings. it is suggested that to see the importance of classical western music as a key component of western culture in said’s work, one has to take into account the centrality of culture in his critical views and the stress he puts on its complicity with western imp...

This article addresses the concept of authenticity, a characteristic of late modern Western culture. This characteristic is viewed by some as an ideal and by others as a root of the problems inherent within Western culture. After discussing various viewpoints, the author supports the idea that authenticity should not be totally accepted or rejected and sets forth a proposal based on the so-call...