نتایج جستجو برای: Persian Drama

تعداد نتایج: 18997  

Alireza Ameri Mohammad Shahba, Razieh Laal,

This study is the result of an attempt to investigate the differences between the Persian translated drama text (page) of each English drama text with its performance on the stage (stage) in Iran. In other words, the present researchers tried to find the implemented changes in page which make it real on the stage in the target language and culture in order to show that in drama translating and ...

The present study is an attempt to investigate conversational repair phenomenon in Persian dramatic discourse and it tries to check the presence of any predominant preference for employing a specific type of repair rather than the others in the context of Persian drama. To reach the aforementioned purpose, Schegloff, Jefferson, and Sacks’s (1977) framework has been adopted and applied to Akbar ...

Journal: :دراسات الادب المعاصر 0
سید إبراهیم آرمن زهرة بندبی

drama is an obvious cultural activity. this literary form is a means of solidarity between human beings and opens new horizons for dialogue among races, ethnicities and different colors in spite of different point of views, opinions and beliefs. drama is proper for applying national themes and calling for freedom, rising against oppression and resistance. the present article surveys the works o...

Journal: :هنرهای نمایش و موسیقی 0
مجید سرسنگی استادیار، دانشگاه تهران رحمت امینی دانشجوی دکتری پژوهش هنر، دانشگاه تهران

theatre is not just bound to what happens on the stage and in front of the eyes of the spectators. the process of preparing and practicing theatre is effective in training people. in this way theatre sociologists have studied theatre from the point of view of affects on social contacts and pedagogical theorists who think that childhood is the most important period in forming people personality ...

Drama courses are core at the English departments in the Palestinian Universities. Teaching drama properly will help students have an excellent command of English language and culture. The research aimed to find out the problems English majors at Al-Aqsa University in Palestine encounter in understanding drama. It also aimed to propose ways to reduce the problems students encounter in drama. In...

Journal: :journal of language and translation 2013
mohammad shahba alireza ameri razieh laal

this study is the result of an attempt to investigate the differences between the persian translated drama text (page) of each english drama text with its performance on the stage (stage) in iran. in other words, the present researchers tried to find the implemented changes in page which make it real on the stage in the target language and culture in order to show that in drama translating and ...

With the spread of western reforms in the 13th/9th century, Ottoman’s literature was reformed either. To reform Ottoman literature, they decided to transform the Ottoman language and literature relations with Persian language and literature. On one hand, they considered problems of Ottoman literature regarding Pindaric and its inefficiency for entering new areas such as novel, drama, and journa...

2013
Hong Yu Mark O. Riedl

A drama manager is an omniscient background agent responsible for guiding players through the story space and delivering an enjoyable and coherent experience. Most previous drama managers only consider the designer’s intent. We present a drama manager that uses data-driven techniques to model players and provides personalized guidance in the story space without removing player agency. In order ...

Journal: :IJART 2008
Magy Seif El-Nasr Athanasios V. Vasilakos Joanna Robinson

Process drama is a form of improvisational drama where the focus is on the process rather than the product. This form of improvisational activities has been used extensively in many domains. Role play, for example, has been used in health therapy as well as for training health personnel. Creative drama is a form of process drama that focuses on the use of story dramatization techniques; it has ...

2008
Rossana Damiano Antonio Pizzo

Notwithstanding the differences displayed by drama criticism for what concerns the theoretical stance and the aims, the key role played by emotions seems to be a common aspect to most definitions of drama. Although the field of computational drama has acknowledged this trend, we argue that the role of emotions in character design deserves more attention, as it is the key to establish a distinct...

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