A drama manager is an omniscient background agent responsible for guiding players through the story space and delivering an enjoyable and coherent experience. Most previous drama managers only consider the designer’s intent. We present a drama manager that uses data-driven techniques to model players and provides personalized guidance in the story space without removing player agency. In order ...

Process drama is a form of improvisational drama where the focus is on the process rather than the product. This form of improvisational activities has been used extensively in many domains. Role play, for example, has been used in health therapy as well as for training health personnel. Creative drama is a form of process drama that focuses on the use of story dramatization techniques; it has ...

Notwithstanding the differences displayed by drama criticism for what concerns the theoretical stance and the aims, the key role played by emotions seems to be a common aspect to most definitions of drama. Although the field of computational drama has acknowledged this trend, we argue that the role of emotions in character design deserves more attention, as it is the key to establish a distinct...

This study is the result of an attempt to investigate the differences between the Persian translated drama text (page) of each English drama text with its performance on the stage (stage) in Iran. In other words, the present researchers tried to find the implemented changes in page which make it real on the stage in the target language and culture in order to show that in drama translating and ...

Recent years have seen growing interest in data-driven approaches to personalized interactive narrative generation and drama management. Reinforcement learning (RL) shows particular promise for training policies to dynamically shape interactive narratives based on corpora of player-interaction data. An important open question is how to design reinforcement learning-based drama managers in order...

Although drama exposure has been examined in the context of health promotion programs, the underlying mechanisms of reflecting on drama have not been established. The degree to which drama contemplation leads to cognitive changes (increased processing, self-compassion and emotional self-efficacy) and improved well-being was examined in the present research. An experiment was conducted in which ...

The limits of current forms of interactive drama have been now clearly identified: interactive character based stories are poorly interactive, the plot remaining nearly linear; interactive virtual worlds are poorly dramatic, with no plot at all; the role of the user is confuse. This paper will give guidelines on how those problems should be tackled, by putting Artificial Intelligence (AI) in th...

A common problem in creating interactive drama is the authoring bottleneck. If pre-authored stories are directly incorporated into an interactive virtual environment then there is a need to consider all possible interactions and story twists, which for a sizeable drama is infeasible. One proposed solution to this problem is to use search and planning algorithms along with narrative structures. ...

The goal of this research is to lay the foundations for a formal theory of drama, that abstracts from the procedural and interactive aspects involved in the generation of dramatic content. The theory characterizes dramatic qualities by reconciling the structural accounts provided by traditional drama analysis with an agent-based perspective on characters. 1 Motivations and Formalization In the ...