117 As Head points out, “the cultural heritage sector uses the classical geographical sense of landscapes as modified by human activity, with an emphasis on ancient monuments and historical buildings.” In other words, cultural landscape heritage is generally approached in terms of material or morphological artifacts that constitute culturally determined physical, and therefore visible, modifica...

Intangible Cultural Heritage is of comparatively high value in culture, economy, science and tourism, which is at its peak of development and utilization. Intangible cultural heritage needs preservation, so the development and utilization of the digital storage of intangible cultural heritage are a subject of theoretical and practical values. Among the various complicated types of intangible cu...

This paper surveys current notions of social and cultural presence as they may help the evaluation of cultural heritage projects. We argue that cultural heritage requires specialized evaluation, as key issues both connect and separate the aims of presence researchers and cultural heritage experts. To support this argument, three case studies of virtual heritage evaluations are summarized, and r...

Learning experience at cultural heritage site is highly necessary needed to visitor when visiting cultural heritage sites. However, it is not adequately provided with the existing of traditional media. Augmented Reality is an alternative of the current emerging technologies to be applied at cultural heritage sites to facilitate learning experience. This article presents the design and developme...

Our cultural heritage derives from the development and diversifi cation of human cultures and abilities. Scientifi c investigation of cultural heritage has several important aims: (1) increasing our knowledge and understanding of the tangible heritage; (2) assembling information, including physical evidence, in order to add cultural value to the heritage, including the “intangible” values; and ...

A consortium, consisting of seven IT-research institutions, the five leading cultural heritage institutions and a number of commercial parties in the Netherlands, has submitted an IT research programme for the digitised cultural heritage, called the Digital Production Line (DPL). Although the partners in the consortium have different points of view on the cultural heritage domain, their common ...

This paper illustrates a Cultural Heritage Space Identification System, named CUSPIS, and his three main applications: the Cultural Asset Management (CAM), the Cultural Asset Fruition (CAF) and the Cultural Asset Geo-Time Authentication (GTA). CUSPIS project aims to introduce in Cultural Heritage sector the positioning and navigation satellite technology provided by EGNOS and GALILEO system, cr...

This paper examines the cultural heritage resources of Macau in tandem with the city’s development. The investigation encompasses the actual condition of Macau’s cultural heritage tourism and the challenges and opportunities for its future development. Based on the experiences of other countries, the authors set strategic goals, provide an overall path and developmental strategies, and create a...