This paper investigates how the theme of uprising is conveyed in Bob Marley’s final music album by the name “Uprising”. Through the methodological lenses of multimodality, attention is focused on how the album cover design, lexical items, literary devices, and other aesthetic ways such as the titles of the ten songs of the album and their order of arrangement contribute to the overall theme of ...

This work was supported in part by National Science Foundation Grants SBR-9520107 (Luce) and SBR-9730076 (Grofman, Marley, Regenwetter) to the University of California, Irvine. We thank Rolf Johnson and Bethany Knapp for pointing out that an earlier version of this result worked only for subjective expected utility, not the rank-dependent generalization. Address correspondence and reprint reque...

This article investigates the early historical context of the relationship between sound and image in film, and how contemporary theorists have drawn on this to suggest new creative aesthetic modes. The practical realization of such suggestions will be illustrated primarily by an analysis of my own film No Escape (Cox, 2009), which explores the combination of live piano music, diegetic sound an...

This article investigates the early historical context of the relationship between sound and image in film, and how contemporary theorists have drawn on this to suggest new creative aesthetic modes. The practical realization of such suggestions will be illustrated primarily by an analysis of my own film No Escape (Cox, 2009), which explores the combination of live piano music, diegetic sound an...