<p><em>Semiotic architecture is a bridge between architects and users who convey architectural information. The application of semiotic to street art gallery buildings can be used as introduction images users. Unfortunately, there no research on the relationship that design criteria parameters. Therefore, urgency this find out which components are most suitable for identity gallerie...

Streets are large, diverse, and used for several (and possibly conflicting) transport modalities as well as social and cultural activities. Proper planning is essential and requires data. Manually fabricating data that represent streets (street reconstruction) is error-prone and time consuming. Automatising street reconstruction is a challenge because of the diversity, size, and scale of the de...

This commentary focuses on the politics of public space in democracy and dictatorship. It delves into what Peter Winn calls revolution ‘from below’ from perspective urban conflict, suggesting a political history that attends to visual culture as crucial arena practice . suggests often-conflictive battle over spaces was, continues be, mechanism by which an unprecedented range citizens entered on...

Benjamin T. Fuller*, James L. Fuller, Nancy E. Sage, David A. Harris, Tamsin C. O’Connell and Robert E. M. Hedges Research Laboratory for Archaeology and the History of Art, University of Oxford, 6 Keble Road, Oxford OX1 3QJ, UK Department of Biochemistry, University of Oxford, South Parks Road, Oxford OX1 3QU, UK Sutter Auburn Faith Hospital, 11815 Education Street, Auburn, CA 95602, USA Depar...

Abstract This essay engages with Guias do Mocho [Mocho’s Tourist Guides], a bottom-up cultural tourism initiative emerging in Quinta Mocho, ‘peripheral’ neighbourhood of Lisbon, as way problematizing the relationship between public and street art social media aesthetics. Scholarship on digital creative industries tends to emphasize complicities this kind experience neoliberal understandings urb...