Abstract The characterization of the first portable artistic depictions in Cantabrian Spain is crucial for comprehension symbolic development Neandertals and Homo sapiens context passage from Middle to Upper Paleolithic. However, despite importance these graphic representations, their study has tended lack application suitable methodologies be able discriminate between activity other kind alter...

Assessments of the complexity of lithic technologies coming from different time periods, regions, or hominid species are recurrent features of the literature on Paleolithic archaeology. Yet the notion of lithic complexity is often defined intuitively and qualitatively, which can easily lead to circular arguments and makes difficult the comparison of assemblages across different regions and time...

The identification of projectile impact traces on archaeological faunal remains is an important issue for understanding prehistoric hunting behavior, especially in the Paleolithic and Mesolithic. From the beginning of the Upper Paleolithic in Europe, and earlier in Africa, projectiles tipped with osseous points were of great importance for subsistence; but thus far, no specific experimental ref...

Cultural transmission models are coming to the fore in explaining increases in the Paleolithic toolkit richness and diversity. During the later Paleolithic, technologies increase not only in terms of diversity but also in their complexity and interdependence. As Mesoudi and O’Brien (2008) have shown, selection broadly favors social learning of information that is hierarchical and structured. We...

Landscapes and features of the everyday world were scarcely represented in Paleolithic art, especially those features associated with the human landscape (huts and campsites). On the contrary, other figurative motifs (especially animals) and signs, traditionally linked to the magic or religious conceptions of these hunter-gatherer societies, are the predominant themes of Upper Paleolithic art. ...

Photos and/or copies of one hundred Upper Paleolithic (45,000-40,000 to 10,000 BP) statues were studied, the photos having been taken from the frontal, lateral and back view. Among the 97 female idols studied, 24 were skinny (mainly young women), 15 were of normal weight, while more than half of them (51) represented overweight or very obese females whose breasts were also extremely large. The ...