I sitt posthume verk, Estetisk teori (1970), ­kritiserer Theodor W. Adorno det sublime slik ble presentert i tradisjonen fra Kant. Han vil løsrive begrepet dets idealistiske arv og positive innhold. Ifølge representerer den rystelsen en erfaring av rene nærværets negativitet. Subjektet erkjenner seg selv som natur, ikke ideal størrelse hevet over den. ”Ørneredet” (1859) ­norske forfatteren Bjør...

Este artículo muestra que, para Adorno, el arte es conocimiento, tiene importancia gnoseológica y está vinculado a la verdad. Mientras que Adorno hace una separación distinción radical entre filosofía, al mismo tiempo asegura mantienen relación de complementación colaboración. Esta solo puede fundamentarse en comprensión del como dialéctica extrañamiento mundo real. vínculo dialéctico con reali...

a bstr act The article presents three models of radical cultural practice: Adorno’s dissonant modernism, Brecht’s “functional transformation” or “refunctioning” of institutions through estrangement and dialectical realism, and Debord’s Situationist détournement of art, aiming to rupture and decolonize naturalized everyday life. The three models all begin with a critical appropriation of the tra...

In this paper I investigate the manner in which Apple iPod users re-inscribe their experiences of commuting through the use of music. I argue that the new technology of MP3 players gives users unprecedented power of control over their experience of time and space. They do so by managing their mood and orientation to space through the micro-management of personalised music. The paper analyses iP...

Abstract Adorno and Benjamin’s common intellectual project has been labeled, by Adorno, an Inverse Theology. This re-translation of theology into it’s metaphysical truth contents can be only fully comprehended taking account their position towards the work art. In this article, I locate place where categorical framework “inverse theology” is displayed in a most complete manner discussion Kafka’...