Music may be considered a form of “knotting,” as Ingold (2015, 18) puts it, in which “contrary forces tension and friction are productive generative outcomes.” Interdisciplinary approaches to performative ways knowing have grown exponentially since Blacking's (1973) ethnomusicological research among the Venda late 1950s. Studies sound, sense, performativity flourished multitude strands conteste...

In this paper, I approach knowing as a spatial practice of dwelling with one’s affective landscapes inquiry to think Erin Manning’s idea research-creation immanent critique. ‘Landscape’ is re-defined in nonrepresentational frame include the various materialities which we sense and see. To joint-action landscape, turn my native language, Finnish, being referred pre-individual passive form ‘to be...