The question of the relation between history and literature is a central historicism new historicism. Literature not possible without influence time; past or present. depiction picture in text, portrayal present becomes future, hence literary text free from any way. Furthermore, some tests intentionally history, as exactly but interpretation mode historical way understanding text. Yogesh Raj's ...

An element shared by sociology and history, and to a certain extent by social or cultural anthropology as well, is their claim to study society as a whole. Whereas economy, law, political science, religious studies or linguistics concentrate on a single aspect of society, the aforementioned disciplines aspire to integrate all aspects into a comprehensive and coherent picture. This requires, fir...

Abstract This introduction presents the symposium on Sam Knafo and Benno Teschke’s article in Historical Materialism , ‘Political Marxism Rules of Reproduction Capitalism: A Historicist Critique’ (2021). It briefly summarises foundations Political Marxism, discusses broader implications debate raised by Teschke for questions collective knowledge-production methods Marxist historiography, outlin...

Luca Guadagnino's Suspiria (2018) aggressively foregrounds a term from the discourse of psychoanalysis, now relic twentieth-century philosophical and psychological thought, with which to negotiate sequence historical problems specific its articulation as remake (adaptation or reimagining) 1977 giallo by Dario Argento. The concept is “transference”. Transference traverses whole semantic field th...

I 1929, K T —the leading theoretical voice of the Czech interwar avant-garde and a prolific critic of modernist literature, art, and architecture—published a review of LeCorbusier’s project for aworld cultural center called the Mundaneum. Le Corbusier had every reason to expect accolades: Teige had been a tremendous admirer and had been enormously influenced by Le Corbusier ever since ...