This article provides an exposition of four key concepts emerging in the encounter between the philosophical man of the theatre, Antonin Artaud, and the theatrical philosopher, Gilles Deleuze: the body without organs, the theatre without organs, the destratified voice and differential presence. The article proposes that Artaud’s 1947 censored radio play To Have Done with the Judgment of God con...

Postmodernity is best understood as the reflex of yet another mutation of capitalism and as such it is synonymous with what has been lauded as “the end of history” the unabashed victory of economic and political liberalism. Hence the question of liberation theology and postmodernity is one of opposition and resistance. Yet, as the work of Gilles Deleuze and Michel Foucault suggests, in the era ...

As críticas deleuzianas ao pensamento representacional convergem para o entendimento do como um processo recognitivo. Reconhecer é pensar. Entre todos os problemas concernentes a tal modelo de pensamento, há empecilho fundamental na recognição: ela não reconhece aquilo que cabe em suas premissas previamente estabelecidas e delimitam linearidade correto. Assim sendo, diferença, nos alerta Deleuz...