When delving into the annals of film history, pivotal juncture French New Wave movement in 1940s stands as an indispensable focal point, leaving indelible mark on cinematic evolution and advancement industry. By introducing a distinctive creative paradigm, notably championed notion “auteur cinema”, encouraged novel production methodologies while endorsing personalized themes, narrative architec...

Abeill e and Godard (1994) seek to show that the rightward branching analysis of French tense auxiliaries shown in (1b), that I argued for in Manning (1992) and which is widely adopted in general, is wrong, and that rather we should adopt a at analysis for this construction as shown in (1c), and they show how such an analysis can be realized within HPSG (Pollard and Sag 1994). (1) a. Je I vous ...