نتایج جستجو برای: hero of theater
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An open organizational culture (for example, enhancement of individual autonomy) is needed in order to promote organizational creativity. But such openness can lead to problems with coordination that may jeopardize the organization’s success. For example, an open organizational culture is accompanied by parallel processes of closure (promoting orientation, consensus, and trust) that reduce the ...
accounts and narratives of the ancient iranian texts and sources of the islamic period concerning fereydun indicate that this iranian dragon-slayer hero has been known for his three powers, that is “fighting powers,” “medical skills,” and “sorcery arts”. on the other hand, his name, fereydun (middle persian “frēdōn”, avestan “θraētaona-“), seems to mean “the owner of three powers” or “the one w...
Military physicians deploy primarily to care for traumatic injuries. However, critically ill medical patients are also evaluated and treated in theater with similar capability as hospitals in the United States because of the close proximity of medical and surgical specialists and advanced equipment in combat support and theater hospitals. We report a case of a 33-year-old soldier diagnosed with...
Put in this way, the question of the theater ought to arouse general attention, the implication being that theater, through its physical aspect, since it requires expression in space (the only real expression, in fact), allows the magical means of art and speech to be exercised organically and altogether, like renewed exorcisms. The upshot of all this is that theater will not be given its speci...
Literature Review Automobile Industry Abhijeet Singh and Brijesh Kumar (2011) Hero Honda Motors Ltd, is running a program called Good life Passport to Relationship Reward, with an objective to create an innovative environment for interaction between Hero Honda and its customers. Members of this program are given a magnetic card in which all information is stored and this card is swiped when usi...
Live theater is typically designed to alter the state of mind of the audience. Indeed, the perceptual inputs issuing from a live theatrical performance are intended to represent something else, and the actions, emphasized by the writing and staging, are the key prompting the adhesion of viewers to fiction, i.e., their belief that it is real. This phenomenon raises the issue of the cognitive pro...
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