The designs and motifs of Qashqa’i gelims betray in a sense their weavers’ creative minds, high intelligence, unwavering efforts, great ability, graceful spirit, and deep thought. Understanding the meanings of these motifs and designs will help us become more familiar with the religious beliefs of the Qashqa’i people, the true meaning of their lives, their myths, traditions an...

Motifs pass through the mental filters of different people. The time and mind canals govern key roles in forming the designs. Most of the carpets’ designs and motifs are the products of the cultural exchanges among different nations and races. Cultural and social products such as stories, dialects, traditions, customs etc. are exchanged among different nations and races, meanwhile get loc...

Iranian and Indian Art in Safavid period has a lot of attachments to each other that its effects are visible in abundance of decorations. In that period of time, astrolabe-making especially in Iran and India went a new way and delicate and prolific decorations covered the entire space of the astrolabes. As regards to that the astrolabe has been studied more scientifically regardless of its visu...

Rock art can be regarded as one of the oldest art forms of human societies throughout history. Therefore, the study and analysis of the art of petroglyphs plays a special role in understanding social relationships, beliefs, culture and other aspects of human life. These motifs are of great importance regarding archeological studies of anthropology; anthropology and art history was of great impo...

Hunting was one of the most important aspects of human life in ancient times; when human considered hunting as an aspect of his own subsistence strategy and his life was dependant on it.  As time goes by, the importance of this subsistence aspect reduces; so that special places were considered as a hunting ground for entertainment. With the arrival of Islam in Iran, this process continued ...

 The ancient motif of vase, whether individually or in combination with other motifs, is one of the most basic patterning motifs in visual culture of Iran and is among the manifestations of eternal verdancy. Multiplicity of its types, its various forms, flexibility of its structure and its combination with other motifs have caused that the vase motif become a basic and guiding elements for...

Potteries known as “Minai” are one of the valuable types of potteries remained from middle Islamic era, which were produced between 575 and 616 AH in middle of Islamic civilization, in the late period of Seljuk and Khwarazmshahi era in Iran. Such potteries were found in works obtained from Ray, Kashan, Saveh, and in a limited number in Nishapur and Tabriz that in terms of motifs and their compo...