Research aim is to find out the use peculiarities of motifs fine and decorative arts in modern accessories design. The article examines Ukrainian brands’ products with special attention creative experiment designers. methods. Methods analysis, synthesis, observation, comparison, analogy, generalization were used determine trends main areas work accessory Iconographic, figurative, stylistic meth...

This article examines the pedagogical foundations of folk applied arts Uzbekistan in training teachers fine and some issues art education. The use decorative - as one aspects ethical aesthetic education future artists teachers. importance general crafts particular is also described. Specifies requirements for a specialist, teacher, which have already been tested modern science received official...

The paper researches whether art objects can effect the problem perception of managers. The idea, originating from an empirical study in the context of medical teaching, is to improve managerial decision-making by training the perceptive capabilities through an engagement in art appreciation classes. The paper examines traditional functions of artworks and their unused potential for organizatio...

Gothic Art and Architecture, religious and secular buildings, sculpture, stained glass, and illuminated manuscripts and other decorative arts produced in Europe during the latter part of the Middle Ages (5th century to 15th century). Gothic art began to be produced in France about 1140, spreading to the rest of Europe during the following century. The Gothic Age ended with the advent of the Ren...

This examination of the social processes that inform cultural production asks how tastes are formed, transmitted, embedded, and reproduced across generations. These questions are explored through a study of William Morris, his working methods and products, and their impact on the decorative arts in Victorian Britain and beyond. Through the exercise of cultural leadership, Morris gave physical e...

The successful introduction of technology into museums and exhibitions is a complex and difficult process. It requires detailed study of both visitor expectations and experiences and a sensitivity to curator and exhibition designer concerns, together with the concerns of architects and interior designers, in the case of newly built spaces. It also requires an understanding of the ergonomics of ...