Based on data from a large-scale experiment with human subjects, we conclude that the logarithm of probability to guess a word in context (unpredictability) depends linearly on the word length. This result holds both for poetry and prose, even though with prose, the subjects don’t know the length of the omitted word. We hypothesize that this effect reflects a tendency of natural language to hav...

We are witnessing the emergence of a new technology for dynamically creating stories tailored to the interests of particular readers. Narrative prose generators o er much promise for literacy education, but designing them for maximal e ectiveness requires us to understand their e ect on readers. This article describes the evaluation of StoryBook, an implemented narrative prose generation system...

'Poetry' and 'prose' are categories which are normally used to distinguish the two main types of discourse in language. But there is some debate whether this division is helpful and valid when applied to the discourse of the Hebrew Bible. Whereas most scholars accept the validity of the two categories, Kugel (1981) has argued forcefully that the category of poetry is a misleading imposition of ...

This essay reads work by Samuel Beckett, especially his prose, with a focus on vegetal ontology and plant life, soil, mud, dirt. By juxtaposing Beckett recent fiction, e.g., the Netflix series Stranger Things, contemporary theory, general ecology of Erich Hörl, posthuman entanglements relations are discussed as part an ontological infrastructure in texts, which can also be linked to Beckett’s i...

Hegel's view of poetry clarifies the overall role of language in his system and allows him to makes sense of a difficult linguistic issue: how to distinguish between poetry and prose. For Hegel, this distinction is crucial because it illuminates the different ways poetry and prose allow us to understand ourselves as members of an ethical community. In this paper, I argue, using Hegel, that the ...