To understand narrative, humans draw inferences about the underlying relations between narrative events. Cognitive theories of narrative understanding define these inferences as four different types of causality, that include pairs of events A, B where A physically causes B (X drop, X break), to pairs of events where A causes emotional state B (Y saw X, Y felt fear). Previous work on learning n...

We describe the N2 (Narrative Networks) Corpus, a new language resource. The corpus is unique in three important ways. First, every text in the corpus is a story, which is in contrast to other language resources that may contain stories or story-like texts, but are not specifically curated to contain only stories. Second, the unifying theme of the corpus is material relevant to Islamist Extremi...

Interactive narrative technologies have typically addressed the authoring bottleneck problem by focusing on authoring a tractable story space (i.e. the space of possible experiences for a user) coupled with an AI technology for mediating the user’s journey through this space. This article describes an alternative, potentially more general and expressive approach to interactive narrative that fo...

Interactive Narrative often involves dialogue with virtual dramatic characters. In this paper we compare two kinds of models of character style: one based on models derived from the Big Five theory personality, and the other derived from a corpus-based method applied to characters and films from the IMSDb archive. We apply these models to character utterances for a pilot narrative-based outdoor...

Seventy years ago, psychologists Fritz Heider and Marianne Simmel described an influential study of the perception of intention, where a simple movie of animated geometric shapes evoked in their subjects rich narrative interpretations involving their psychology and social relationships. In this paper, we describe the Heider-Simmel Interactive Theater, a web application that allows authors to cr...

The commercial Hindi cinema has been subjected to domestic and foreign criticism for its exceptionally formulaic and stereotypical feature productions. These productions, however, have their sources in the oral and written epics and the popular dramatic genres of traditional Indian culture. Content borrowed from the Ramayana, the Mahabharata, and other pan-Indian tales frequently enlarges and r...

This article analyzes stories and images of sex trafficking in current mainstream US public discourses, including government publications, NGO materials, news media, and popular films. Noting the similarities and differences among these discourses, the first part demonstrates that they often frame sex trafficking using a rescue narrative that reiterates traditional beliefs and values regarding ...

Cognitive neurosciences have made significant progress in learning about brain activity in situated cognition, thanks to adopting stimuli that simulate immersion in naturalistic conditions instead of isolated artificial stimuli. In particular, the use of films in neuroscientific experiments, a paradigm often referred to as neurocinematics, has contributed to this success. The use of cinematic s...

In her paper, "Shakespeare's Taming of the Shrew and the Tradition of Screwball Comedy," Mei Zhu argues that Shakespeare's Taming of the Shrew is controversial owing to the subtlety and complexity of the text as well as its subject matter. Franco Zeffirelli's 1967 film version seems to follow the narrative structure of the original play closely while its effect is different. Through a detailed ...

Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films to determine if these same patterns are found. We parsed 150 films with release dates from 1935 to 2005 into their sequences of shots and then analyzed the pattern of shot lengths in each film. Auto...