Detecting emotion features in a song remains as a challenge in various area of research especially in Music Emotion Classification (MEC). In order to classify selected song with certain mood or emotion, the algorithms of the machine learning must be intelligent enough to learn the data features as to match the features accordingly to the accurate emotion. Until now, there were only few studies ...

This proposal focuses on research the importance of ensemble in instrumental music learning with aim using results to stimulate more teachers and students pay attention approach as a means study. paper will investigate subject through interviews reviews. In total, eight instrument be interviewed, four whom teach one-to-one basis, arrange teaching lessons. Initially, all asked complete questionn...

In this work, we have presented a hierarchical scheme for classifying music data. Instead of dealing with large variety of features, proposed scheme relies on MFCC and its variants which are introduced at the different stages to satisfy the need. At the top level music is classified as song (music with voice) and instrumental (music without voice) based on MFCC. Subsequently, instrumental signa...

Studies of the biology of music (as of language) are highly interdisciplinary and demand the integration of diverse strands of evidence. In this paper, I present a comparative perspective on the biology and evolution of music, stressing the value of comparisons both with human language, and with those animal communication systems traditionally termed "song". A comparison of the "design features...

In the context of the live coding of music and computational creativity, literature examining perceptual relationships between text, speech and instrumental sounds are surveyed, including the use of vocable words in music. A system for improvising polymetric rhythms with vocable words is introduced, together with a working prototype for producing rhythmic continuations within the system. This i...

algorithmic composition models used in the domain of systems generating music compositions are presented in the paper. Moreover, the model based on the transition matrix of music events (music patterns described by notes, measures and durations) and classification of the instrumental parts appearing in the input music work is presented. An exemplary implementation of the model is described usin...

Recent evidence suggests that the musical rhythm of a particular culture may parallel the speech rhythm of that culture's language (Patel, A. D., & Daniele, J. R. (2003). An empirical comparison of rhythm in language and music. Cognition, 87, B35-B45). The present experiments aimed to determine whether listeners actually perceive such rhythmic differences in a purely musical context (i.e., in i...

In Renaissance courts and cities, instrumental music was deeply woven into the fabric and function of everyday life, and was accessible to a wide, demographically diverse swath of the populace. Domestic entertainment, civic and village events, courtly ritual, and the functional, clockwork activities of a city, court, or militia, all demanded the contributions of instrumentalists. The wide diver...