This study aims to determine how the song nocturne in e-flat major op 9 no 2 by Fredrich Chopin is technically expressed through classical guitar playing Francisco Tarrega. research descriptive analysis, which this case describes, outlines and describes technique of played for instruments. The object Frederich Chopin. instrument researcher himself assisted several equipment process data. type d...

In this paper, we present the application of a novel automatic prosodic labeling methodology for speeding up the manual labeling of the Glissando corpus (Spanish read news items). The methodology is based on the use of soft classification techniques. The output of the automatic system consists on a set of label candidates per word. The number of predicted candidates depends on the degree of cer...

In order to produce a wide range of pitches, the human vocal production is characterized by the use of four distinct laryngeal configurations. The evidence of such division is given by noticeable transitions in the audio signal, the electroglottographic signal and its derivative, during the production of a glissando. So as to avoid the confusion linked to the notion of register in singing and t...

The object of the study is Sonata for Viola and Piano Op. 147 by Dmitry Dmitrievich Shostakovich — a work that rightfully considered autobiographical farewell. subject was specificity timbral embodiment figurative-emotional sphere composition. In proposed reading, first part sonata an image world to which composer sends farewell glance, second sarcastic sketch bright collective images vices hum...

The article focuses on Pierre Boulez’s choral style in the cantatas “Le visage nuptial” and soleil des eaux”. versions of these works, created over course almost 40 years (from 1951 to 1989), represent a complex techniques regard texture timbre, which, one hand, are continuation experiments by composers New Vienna School (A. Schönberg, A. Webern), other they preface number innovations contempor...

We present a theory by which idealized models of auditory receptive fields can be derived in a principled axiomatic manner, from a set of structural properties to (i) enable invariance of receptive field responses under natural sound transformations and (ii) ensure internal consistency between spectro-temporal receptive fields at different temporal and spectral scales. For defining a time-frequ...

lntroduction This research presents a new conceptual approach to writing notes of computer music. lt gives freedom to use notes from a continuum of frequencies rather than from a set of discrete frequencies. ' lt also incorporates timbre parameters into the icon notes, thus enabling easy and continuous movement through different timbres, instead of using fixed timbres. In this new musical notat...

s 52 Can anybody read me? Motion capture recordings for an adaptable visual speech synthesizer Simon Alexanderson & Jonas Beskow . . . . . . . . . . . . . . . . . . . . . . . . . 52 MAGE: A platform for performative speech synthesis, a new approach in exploring applications beyond text-to-speech Maria Astrinaki, Nicolas d’Alessandro & Thierry Dutoit . . . . . . . . . . . . . . 53 Overlap behavi...

Relevance of the study. Exploring music Anna Korsun, who at moment is one most famous, titled and promising young composers in Europe, author article emphasizes that this allows to learn about latest processes European academic music. Considering A. Korsun’s Ukrainian origin, kind research especially important for musicology. The small number publications, almost complete absence scientific wor...

In [Smith 1993], an approach was described for implementing efficient real-time bowed string synthesis. Recent work has focused on differentiating the members of the violin family, as well as on the flexibility necessary to create expressive performance. This paper presents a technique for creating smooth transitions between notes, enabling a variety of bowing styles to be synthesized, such as ...