Abstract This research explores how the post-Yugoslav film-makers, in particular Nebojša Slijepčević, Goran Dević, and Srđan Keča, investigate dilemma of ethnic identity face cultural division post-conflict societies. The article aims to discuss cinematic representations other conduct a deeper textual analysis film Srbenka (2018), comparison After War (2006) Imported Crows (2004). Also, bridges...