This research explores Algerian writer Kamel non-fictional text, Le peintre dévorant la femme . The text addresses questions relating to religious extremism, the meaning of art, death and eroticism, relationship between l’Occident l’Orient through visual aid Picasso’s 1932 Année érotique Central this is notion hybridized public intellectual (Daoud) entering spheres (Franco-Algerian beyond). con...