L’esame del life writing che si insinua nella scrittura straniante e straniata di Michele Mari registra il vigore dell’erudizione accumulata sfruttata per costruire un mondo a parte. Fra realismo mitopoiesi, singolari aneddoti vengono ricordati come “pezzi vita istoriata romanzata”. Nella la finzionalizzazione della “orrenda da vivere” muove all’insegna defamiliarizzazione fra straniamento natu...

Cet article s’intéresse à l’étude de l’amour menée dans l’ouvrage d’autofiction intitulé L’amour, roman (2003) Camille Laurens. Il est question en particulier d’examiner quoi l’idée courante et acceptée ce que c’est « » fonctionne comme le point rencontre entre différents points tension qui s’orientent vers même désir du pouvoir la domination. En dévoilant les influences personnelles extérieure...

In Wild Rose (2015), the seventh novel by Canadian prairie author Sharon Butala, protagonist—young wife and aspiring homesteader Sophie Hippolyte—expresses profound anguish, rejection of upbringing religion, headstrong desire to remake herself on frontier southwestern Saskatchewan in mid-1880s. The marks a turn Butala’s fiction toward atheistic existential philosophy, progression from questioni...

Current dramaturgy claims gender studies as a primary critical field and María Velasco develops significant dramatic production capable of being analyzed. Metafiction phenomenon that introduces the autofictional fact is based on idea theatre within basis two facts: first consists entering intricacies theatrical structure second establishes collecting fragments reality to materialize them in sce...

Abstract This chapter examines three recent autofictional documentaries produced in Argentina and Spain—Albertina Carri’s Cuatreros ( Rustlers ), Mercedes Álvarez’s Mercado de futuros Futures Market Víctor Erice’s Vidros partidos Broken Windows )—which share a distinctive “archival impulse.” These films propose meaning specific political sense which we read relation to the contexts of Iberian f...

In this article, I explore the experiential texture of literary f ictionality and ontological blurrings, using Lance Olsen's multimodal works Theories Forgetting there's no place like time as case study texts. doing so, argue that while tropes such recursive narrative structure intrusion author into fiction are typically postmodernist, Olsen repurposes them part a contemporary pursuit real. Con...