this research entitled “new south korean cinema” deals with a kind of genre bending in new film industry of south korea; a wide-ranging analysis of one of the world's most important contemporary film industries, new korean cinema adopts a cross-cultural and multi-dimensional perspective and provides a comprehensive overview of the production, circulation and reception of modern south korea...

The family in Iran is a powerful and influential institution that is undergoing change over time. Various factors have contributed to these changes. In the 21st century, media such as satellite and cinema have linked communities closer together. In such a situation, the views, attitudes and beliefs of other societies reach out to other societies in the form of images, sounds and symbols through...

Abstrak Hang Tuah (1956) merupakan salah satu filem adaptasi Melayu yang terkenal dalam sejarah perfileman tanah air. Filem ini dikatakan cuba mengangkat karya kesusasteraan klasik melalui Hikayat dan Sejarah Melayu. Memandangkan bersifat adaptasi, maka sering menjadi perhatian kalangan sarjana. Antara aspek daya tarikan mereka adalah soal kesetiaan naratif seperti plot, lakonan, gaya bahasa, l...

Unlike more celebrated Hollywood-on-Hollywood films, Walter Wanger’s neglected screwball comedy Stand-In (1937) emphasizes the centrality of labour to studio-era production. Besides climaxing with a highly unusual, if carefully negotiated spectacle industrial action by Hollywood’s rank and file workers, film departs further from other self-reflexive movies defining stardom in relation gender fo...

Representations and discourses about migrants have excluded the narratives of African migrant mothers. Often, discussions these group women tend to rely on stereotypes, which consequently trivializes complexities nuances that characterize lives women. Adopting an intersectional approach, this article centers immigrant mother by exploring mothers in two films. In article, I explore how instituti...