previously studies have shown that music can be used to increase the time to engage in physical activity but music's role in controlling the intensity of pa has been studied less. the sensorimotor synchronization (sms), the coordination of rhythmic movement with rhythmic sensory stimuli method, seems to have enough potential and can be applied instead of the previous method for ordinary pe...

The aim of this article is to generalize in several variables some formulae for Eisenstein series in one variable. In particular, we relate Szenes formula to Eisenstein series and we give another proof of it.

The specializations of the motivic elliptic polylogarithm on the universal elliptic curve to the modular curve are referred to as Eisenstein classes. In this paper, we prove that the syntomic realizations of the Eisenstein classes restricted to the ordinary locus of the modular curve may be expressed using p-adic Eisenstein-Kronecker series, which are p-adic modular forms defined using the two-...

We explain some essential aspects of the simplest Eisenstein series for SL2(Z) on the upper half-plane H. There are many different proofs of meromorphic continuation and functional equation of the simplest Eisenstein series for Γ = SL2(Z). We will follow [Godement 1966a] rewriting of a Poisson summation argument that appeared in [Rankin 1939], if not earlier. This argument is the most elementar...

Quantity of music metadata on the Web is raising with high speed. It became a real challenge to keep quality of metadata at reasonable level. In this paper we present a game with a purpose called City Lights for music metadata validation, discuss possibilities to achieve more accurate results by using expert recognition and reevaluation.

Orthogonality relations for finite Eisenstein series are obtained. It is shown that there exist finite analogs of Maass wave forms which are not Eisenstein series.

For centuries, composers have tried to discover new forms of musical expression. After Western music evolved from its use of a modal to a tonal organizational system, tonality eventually gave way to bitonality and polytonality in the second half of nineteenth century, and subsequently atonality in the first half of twentieth century. During the twentieth century, composers paid attention to for...