abstract cinema as a social environment provide a basis and special situation in which people can gather together, experience a different relationship and can find a new thinking or behaving approach via watching the movies. by going to cinema people in addition to utilize their leisure time effectively, they gradually shape their attitudes and behaviors based on what they have seen and heard. ...

To transmit and display high quality movies via optical networks, a new Super High Definition (SHD) digital cinema distribution system with the resolution of 8-million pixel is developed. Its image quality is four times of HDTV in resolution, and enables us to replace conventional 35mm films. This system is based on JPEG 2000 coding technology and transmits high quality digital cinema over high...

According to traditional film histories, crosscutting is the cornerstone of the classical aesthetic in cinema. Numerous scholarly studies have been carried out on this crucial aspect of classical narrative film language. It is maintained that crosscutting’s “multiple lines of action” must take place in “widely separated locales” (Bordwell, Staiger and Thompson, 1985: 48). The use of such ambigu...

1960-1975 period of Turkish cinema is accepted as 'Ye?ilçam'. These films have embodied the modernization process Turkey. Generally, in media and literature, Ye?ilçam Cinema has been criticized being deprived creativity are considered to be weak terms spatial fiction. Accordingly, few studies found that investigating 'the use space Cinema' related literature. The main purpose this paper trace s...

Looking over the history of cinema from the vantage point of the early twenty-first century, recent research has increasingly highlighted the similarities between the sense of possibility characterizing cinema’s early decades and our own digital era, in which the proliferation of interactive media and variable screen formats has loosened the once dominant paradigm of the passive spectator immob...

Channel 4’s tradition of supporting, promoting and contributing to British cinema culture entered a new phase in 1998. Its film-making operations were consolidated into a single, semi-vertically integrated studio called FilmFour. On 1 November it launched a brand-new pay-TV channel of the same name. This channel programmed a variety of cinema, premiering world cinema films, FilmFour’s own produ...