Until recently it was thought that vision shows us what is actually ‘out there’ at any moment. It was supposed that all the images printed on the retina are coded and transmitted to the cortex; thus every detail of our visual experience would mirror faithfully the ongoing events in the stimulus field. The first clues that things are not that simple came from clinical investigations by Ramachand...

In this paper, we report on a project applying participatory design methods to include people who have experience of social exclusion (in one form or another) in designing possible technologies for e-(local)-government services. The work was part of a project for the Office of the Deputy Prime Minister in the UK, and was concerned with ‘access tokens’ that can provide personal identification fo...

This paper reflects on the uses of different forms of storytelling in the design and implementation of an experience prototype for a Museum exhibition about the medieval historian Jean Froissart. Concept designs developed during interdisciplinary design workshops were captured as pastiche scenarios for further discussions. Content was created using actors who recorded readings from Froissart’s ...

Analizamos las “escenografías cinematográficas” de serie HBO Juego tronos (Game of Thrones, 2011-2019) desde una hermenéutica interdisciplinar. De este modo, se ponen relieve los procesos creación esas escenografías a partir experiencias cinematográficas precedentes, guiadas por lógica fantástica y espectacular (un eclecticismo creativo que no renunciaba al pastiche o incluso el kitsch). tronos...