نتایج جستجو برای: final approach

تعداد نتایج: 1452737  

Journal: :TAL 2006
Delphine Battistelli Jean-Luc Minel Sylviane R. Schwer

In this paper, first we examine the usual treatment of temporal information and we recall the main features relative to the temporality analysis in texts. Then we deal with the formal representation of calendar expressions, and we provide a functional approach, based on a categorical representation of ordinals. Finally, an ongoing application providing a help for the reading of long biography i...

2013
MICHAEL MAHAN John F. Wilson

For several decades, Restoration studies have noted deficiencies in the treatment of the theology of leadership and of practical ecclesiology. This paper responds to the lack of research linking ecclesiology to organizational design and to the theology of leadership in the Church of Christ tradition by building upon the ecclesiological framework composed of theological tradition, church metapho...

2010
PETER A. LOEB

In this note we use a functional approach to the integral to obtain a special case of the Keisler-Fubini theorem; the general case can be obtained with a similar proof. An immediate appUcation is the standard Fubini theorem for products of Radon measures. Similar methods give the Weil formula for quotient groups of compact Abelian groups.

2008
Andreas Eckhardt Sven Laumer Tim Weitzel

In the history of adoption research, subjective norm mostly remains as the unloved child, being significant in this analysis and not significant in that analysis. Already Davis et al. had to exclude subjective norm of the Technology Acceptance Model due to theoretical and measurement problems. Overall the results of subjective norm as an antecedent for behavioral intention in IS research are qu...

2006
Roger G. Johnston

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Journal: :J. Comb. Theory, Ser. A 1996
Ronald C. Read Lily Yen

The score of the piano work nr. 7 Klavierstu ck XI by Karlheinz Stockhausen (1957) [4] consists of 19 fragments of music. The performer is instructed to choose at random one of these fragments, and play it; then choose another, different, fragment and play that, and so on. If a fragment is chosen that has already been played twice, the performance ends. It is natural to ask how many different w...

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