Persian is one of the Indo-European languages which has borrowed its script from Arabic, a member of Semitic language family. Since Persian and Arabic scripts are so similar, problems arise when we want to process an electronic text. In this paper, some of the common problems faced experimentally in developing a corpus for Persian are discussed. The sources of the problems are the Persian scrip...

This paper provides a critical review of existing interactive drama systems. An interactive drama takes place within a virtual world in which the user has a high degree of freedom to physically and mentally interact with non-player characters and objects within a dramatically interesting experience which is different on every play, and adapts to the user’s interactions. Those criteria which sho...

Interactive drama has been discussed for a number of years as a new form of AI-based interactive entertainment (Laurel 1986, Bates 1992). While there has been substantial technical progress in building believable agents (Bates, Loyall and Reilly 1992, Blumberg 1996, HayesRoth, van Gent and Huber 1996), and some technical progress in interactive plot (Weyhrauch 1997), no work has yet been comple...

The Persian language is one of the dominant languages in the Middle East, so there are significant amount of Persian documents available on the Web. Due to the special and different nature of the Persian language compared to other languages like English, the design of information retrieval systems in Persian requires special considerations. However, there are relatively few studies on retrieval...

Persian is an Indo-European language written using Arabic script, and is an official language of Iran, Afghanistan, and Tajikistan. Transliteration of Persian to English—that is, the character-bycharacter mapping of a Persian word that is not readily available in a bilingual dictionary—is an unstudied problem. In this paper we make three novel contributions. First, we present performance compar...

Like Hollywood cinema, gong’an drama seizes upon the dramatic and narrative potential of legal trials. Yet, while Hollywood trial films turn viewers into jurors, pushing them back and forth between the competing stories that emerge from the adversarial process, gong’an drama eschews any recognition of opposing narratives, instead centering on the punishment of decidedly guilty criminals. The mo...

This tutorial describes the Drama Theory paradigm and two of the techniques used to apply the theory – Confrontation Analysis and Immersive Briefings. The historical development of Drama Theory is discussed, followed by a detailed description of the ways in which an analyst can exploit Drama Theory to study various forms of conflict. Examples of the theory in use are scattered throughout the te...

Methods The research team met with the theatre group and 2 women with metastatic breast cancer to create a drama based on a focus group study about living with metastatic breast cancer. People in the drama were interviewed at the beginning, midway through the creative process, and soon after the drama was taken on the road. A key question was: “What is it like for you to be involved in this pro...

This article presents the Life Drama project as a case study in how theoretical and contextual factors may inform the development of an applied theatre initiative. Life Drama is a workshopbased, participatory form of applied theatre and performance being developed in Papua New Guinea. At this time, the aim of Life Drama is to address the gap between ‘awareness’ and behaviour change in relation ...

BACKGROUND Medication is the mainstay of treatment for schizophrenia or schizophrenia-like illnesses, but many people continue to experience symptoms in spite of medication (Johnstone 1998). In addition to medication, creative therapies, such as drama therapy may prove beneficial. Drama therapy is a form of treatment that encourages spontaneity and creativity. It can promote emotional expressio...