A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing dire...

To test quantitatively whether there are systematic chromosome-chromosome associations within human interphase nuclei, interchanges between all possible heterologous pairs of chromosomes were measured with 24-color whole-chromosome painting (multiplex FISH), after damage to interphase lymphocytes by sparsely ionizing radiation in vitro. An excess of interchanges for a specific chromosome pair w...

We introduce roboPix, a robot, which is able to paint action paintings from a user’s thoughts using a Brain-Computer-Interface (BCI). The BCI provides signals, which encompass the user’s recognized thoughts and the user’s level of excitement. These signals command the movement of the robot’s arm, which spreads the paint on the canvas. Our system combines explicit and implicit signals to persona...

Abstract—For traditional painting materials, the artisan used to combine the pigments with different binders to create colors. As time goes by, the materials used for painting evolved from natural to chemical materials. The vast variety of ingredients used in chemical materials has complicated restoration work; it makes conservation work more difficult. Conservation work also becomes harder whe...

Persian painting has usually been studied from historical point of views. But its formation is rooted in a specific social context. In this study, we will try to contextualize it and we will show that this social context has a crucial role regarding its aesthetic. Persian painting is an art of royal courts and it represents the life of princes combined with Persian epic legendes. This social co...

We present two methods to create realistic Chinese painting. The first method is to create 3D Chinese painting animation using existing software packages. The second method is an expressive paint tool which allows an artist to interactively create 2D Chinese painting.

Full-body, unencumbered, gestural interfaces o er new possibilities for computer painting tools. However, traditional painting metaphors and current gestural input technology are not well suited to one another; the user cannot be tracked with su cient accuracy to support brush-like or pen-like painting. Our approach to this problem has been to interpose di erent layers of abstraction between in...

This paper presents a novel Chinese calligraphy and painting system, which serves as an expressive vehicle for interactively creating Chinese traditional calligraphy and ink-wash painting works. We developed a brush model which gives the user natural control of complex brush strokes. This model enhances the realistic sense of the user’s manipulating the pen with the pressure sense. We also deve...

The relationship between the activity of painting and performance of stereotyped and other stress-related behaviour was investigated in four captive Asian elephants at Melbourne Zoo, Australia. The activity involved the elephant being instructed to paint on a canvas by its keeper in front of an audience. Painting by elephants in zoos is commonly believed to be a form of enrichment, but this ass...