Figure 1: Calligraphy made with our system This paper presents a novel 3D brush model consisting of a skeleton and a surface, which is deformed through constrained energy minimization. The main advantage of our model over existing ones is in its ability to mimic brush flattening and bristle spreading due to brush bending and lateral friction exerted by the paper surface during the painting proc...

Women's calligraphy, also known as female is a kind of writing style used by women in ancient China. It has become unique and attractive form art with its strokes character characteristics. This paper discusses innovative paths for the experience women's calligraphy symbolic culture college education, emphasizing importance integrating resources, innovating ways teaching advocating interdiscipl...

In 2022, the discipline of calligraphy in colleges and universities is listed as a first-class together with fine arts, which brings opportunities challenges for heritage Chinese calligraphy. society great cultural prosperity development, there are not many calligraphers left. Why? Reflect on how shining famous were during Republic China. However, today’s curriculum still suffers from lack conn...

Contrary to deconstruction and its destructive pursuit, the concept of undermining familiar seeks refute constants known limitations. It is done through process receiving what imposed by formation word or text structural design structure in general, along with Arabic calligraphy particular. This based on recipient's understanding interpretation dual phenomenon content's manifestation. More accu...

We introduce a novel intelligent system which can generate new Chinese calligraphic artwork that meets certain aesthetic requirements automatically. In the machine learning phase, parametric representations of the existent calligraphic artwork are derived from input images of calligraphy. Using a six-layer hierarchical representation, the acquired knowledge is organized as a small structural st...

Calligraphic style is considered, for this research, visual attributes of images of calligraphic characters sampled randomly from a “work” created by a single artist. It is independent of page layout or textual content. An experimental design is developed to investigate to what extent the source of a single, or of a few pairs, of character images can be assigned to the either same work or to tw...