[2] In its narratological sense, metalepsis, first identified by Genette, is a paradoxical contamination between the world of the telling and the world of the told: “any intrusion by the extradiegetic narrator or narratee into the diegetic universe (or by diegetic characters into a metadiegetic universe, etc.), or the inverse [...]” ([1972] 1980: 234–35). Described as “taking hold of (telling) ...