نتایج جستجو برای: muqarnas
تعداد نتایج: 37 فیلتر نتایج به سال:
The western iwan of the Takht-e Soleymān is one of the most important buildings in this area. Based on some accounts, this iwan was constructed during the Sāssānid period and the Ilkhanate kings restored it after 700 years. This unique structure is statically unstable and needs strengthening. To this end, becoming familiar with the building materials and their use in this structure are importan...
The Mashhad Musalla is one of the largest and most beautiful historic musallas in Iran. Mashhad Musalla has been built during the Safavid Empire, ordered by Suleiman I. Tile's inscription on the Iwan of Musalla gateway gives the date of the end of construction, in the year 1087 AH. This monument is located at the east of Mashhad. The building has a high porch and two porticoes on both sides. Mu...
Taşkesen (Dashkasan), located in the Zanjan region Iran, 15 km from center of city Sultaniye, was built on rocky slope a hill overlooking Safid Mountain and plains below. The structure, which by carving into rock, has monumental appearance is quite ruined today. There are iwans niches with muqarnas side walls building, consists square courtyard rectangular section. In addition, east, west south...
Temple of Verjuy or Mehr Temple is one of the particular monuments in the type of regional architecture, in the slope of Sahand volcano; has been located in Verjuy village in the suburbs of the Maragheh city, East Azerbaijan province, Iran. The Verjuy researchers believe that this building belongs to the Mithraism religion which is an Iranian ancient religion (248 BCE-224 CE). But, new excavati...
the transition of a squared surface to a spherical one is one of the important issues of construction in the world architecture history. the combination can numerously be observed in the iran's architecture prior to the islamic period. for instance, the palace of shapur (a king) which was splendid and daring palace had a ceremonial court and featured a parabola dome. chahar taq (four arche...
Navid Kermani's and Feridun Zaimoglu's engagements as Muslims with Christian art reveal the possibilities limitations of aesthetic experiences divine beyond all doctrinal divides. Although own research into dimension Islam highlights potential for to offer spiritual insight, his rejection some imagery, especially crucifix, in book Ungläubiges Staunen: Über das Christentum (2015), suggests this ...
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